This gallery contains 1 photo.
Our criteria for this list has changed and we feel the literary magazines on this list are much better ranked than our previous list. It’s always hard to build this list, but we looked about close to 20 data points in coming up with this list. The most important criteria we used this time was date of founding, number of national anthologies publications (and we looked at a lot of them), and the quality of work of and names of passed greats published in the magazines.
The purpose of this list is to help writers find a place to publish their writing that will get them some recognition. We feel when a magazine is published over a long period of time and is recognized nationally we feel it gives the authors more opportunity for exposure. Also these magazines tend to have a very good name in literary circles. We know that many will not agree fully, and some will feel we’ve left a good or great publication off the list. That’s okay. The best thing to do is go to our message boards and post your opinion under our top 50 boards and make a case for adding it to this list.
This list also includes BOLD type where literary magazines take online submissions. We feel this is an important step for a magazine to take. We feel that by taking submissions online magazines are opening themselves up to many more voices and have a better opportunity to find new talent that we want to read. To this end, we have a suggestion. Go down this list and pick out a literary magazine that takes online submissions. Go to their site and submit your work. Also while you are there buy a subscription. Support those who support writers.
- New Yorker http://www.newyorker.com
- The best of the best. We didn’t have any commercial magazines on our last list, but it was a shame to leave this literary magazine out. After lots of emails here it is one the oldest and the most honored magazine of all. Started in the 1920s and has a circulation of over a million readers. Online submissions: http://www.newyorker.com/contact/contactus Continue reading
Prose is architecture, not interior decoration.
— Ernest Hemingway
by Peter Bregman
A recent early morning hike in Malibu, California, led me to a beach, where I sat on a rock and watched surfers. I marveled at these courageous men and women who woke before dawn, endured freezing water, paddled through barreling waves, and even risked shark attacks, all for the sake of, maybe, catching an epic ride.
After about 15 minutes, it was easy to tell the surfers apart by their style of surfing, their handling of the board, their skill, and their playfulness.
What really struck me though, was what they had in common. No matter how good, how experienced, how graceful they were on the wave, every surfer ended their ride in precisely the same way: By falling.
Some had fun with their fall, while others tried desperately to avoid it. And not all falls were failures — some fell into the water only when their wave fizzled and their ride ended.
But here’s what I found most interesting: The only difference between a failure and a fizzle was the element of surprise. In all cases, the surfer ends up in the water. There’s no other possible way to wrap up a ride.
That got me thinking: What if we all lived life like a surfer on a wave?
The answer that kept coming to me was that we would take more risks. Continue reading