More Erotica & Me

In November 2012 I featured an interview with Eve Seymour, a new Caribbean writer of Erotica. Her rambunctious tale, Broken Rules puts her firmly in line to become the foremost Caribbean writer of Erotica. (Those of you who’ve read the book, please correct me if I’m wrong!)

Now, please allow me to introduce you to the work of Robert E. Sandiford, whom I consider the foremost Caribbean writer of Erotica at this time.

Robert E. is no newcomer on the local, regional and international scenes. Journalist, essayist, biographer, short story writer, novelist, video producer and editor extraordinaire, he is one of Barbados’s top contemporary writers.

To date he’s written and had published short story collections, essays, his memoirs, and (my favourite!) a series of erotic graphic novels: Attractive ForcesStray Moonbeams and Great Moves.

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More Erotica & Me.

Structuring Your Screenplay

It’s easy to lose your way when writing, especially in Act II. Here’s the diagram that I use to help me control the plot and structure of a full length feature film. This technique is all courtesy of Syd Field, the master of screenwriting. I would encourage everyone to read his books “The Screenplay” or “The Screenwriter’s Workbook”.

Do the story arc.


Right so Syd Field uses a story called “The Unhappy Marriage”. A young woman, a painter in an unhappy marriage, enrols in an art class and has an affair with her teacher. Against her will she falls in love with him, then learns she is pregnant. Torn between her husband and her lover, she decides to leave them both and raise the child by herself.

ACT ONE
This is the setup act, where we learn what the story is about, who the characters are, and why we care about them. Your main character is normally in every scene, and we go through “a day in her life”. So for instance, in this story we could portray the unhappy marriage with a scene of them eating breakfast in silence, sleeping in separate bedrooms, arguing etc. The woman, let’s call her Mary, is a painter, so maybe we could see her releasing her frustration through painting. The TP1 (Turning Point One) occurs when she enrols into the art class. This is the inciting incident; the moment where your main character’s life could never be the same. If we’re writing a 100 page script, then Act One should be approx. 25 pages.

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St Somewhere Journal

Now accepting submissions for April 2013. 
Deadline March 1, 2013

Submission Guidelines

St. Somewhere Journal is published quarterly. New issues will be released in January, April, July and October. We accept English language submissions for publication in our online journal. Works written in English lexicon dialect/creole are also encouraged, as well as translations. Submissions are accepted via email only.

We welcome all genres, though we lean toward what is typically referred to as literary. The Caribbean region is our primary focus, with secondary emphasis on works with an international or general appeal. Work that has a strong connection to these areas, either literally or philosophically, has the best chance of acceptance. However, quality carries its own weight, regardless of subject matter.

Fiction: Please submit short fiction of 5,000 words or less. Submit your fiction as an attached document or in the body of your email. We prefer a web-friendly format, meaning that we’d appreciate it if you’d single space your paragraphs and double space between paragraphs, with no indentations.

Poetry: Any form is acceptable. Unlike some publications, we have no particular bias for or against rhyming poetry or free verse. Send no more than 5 poems, single spaced in the body of your email.

Essay: Please submit essays of 5,000 words or less. Submit your essay as an attached document, or in the body of your email. We prefer a web-friendly format (see above under “fiction”). For our purposes, we consider an essay to be literary, film or cultural criticism, book reviews or creative non-fiction.

Visual Art: Submissions of visual art will be accepted and considered for use as cover art for our publication, as well as interior art. Scanned images of visual works are acceptable, as well as photography. For photography that includes identifiable individuals, you must be able to provide a copy of a signed model release form. Please submit your art work as an attachment in .jpg format.

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